there is a cloud

some horse riding

a sudden death

but with

a happy end.



In Love is divided in three acts and starts by introducing the velocity, which lets the images presented before an endless white backdrop split into different directions. The piece intends to activate the potential sensitivity of the inanimate.  Movement vocabulary is designed on the purpose of turning the body into a moving sculpture. Everything is visible, and even over visible. In this world of over exposure, we navigate from one scene to another by weightlessness proper to tactile experiences.


How to make a tactile experience visible?

How to hide and reveal in a world of over exposure?

How to last an image over time?

These are the questions with which In Love deals in the format of solo dance performance supported by objects and sculptures.


concept / performance  Bahar Temiz sculpture Ceylan Dökmen music Berke Özcan, A year from the wind that was a year ago; Claudio Monteverdi, Lamento della Ninfa; Godspeed You! Black Emperor, Their Helicopters’ Sing, We drift like worried fire; Joy Division, Digital; SND, Three light design Martin Kaffarnik wooden construction Stef Depover, Metin Sakin external eye Mesut Arslan, Meryem Bayram, Michael De Cock, Smaranda Olcese, Marc Vanrunxt coproduction Platform 0090, De Feniks Walpurgis, (Antwerpen, Belgium), Maison de la Culture d’Amiens – Centre de création et de production (France), Kunstcentrum Buda (Kortrijk, Belgium) supported by the network APAP – Advancing Performing Arts Projects / Performing Europe Network, funded by the European Commission – Culture programme.